A large part of the appeal of micro-dramas is seeing and interacting with real actors, she said, because the actors are often unknown and, therefore, accessible on social media.
李靜玟小時候在高雄外公家眷村長大,她從高中就投入校園自治,上大學也積極推廣校園白色恐怖歷史。她觀察到,許多同儕對「二二八」或「轉型正義」帶有一種本能的抵抗,認為這些辭彙被包裹成了「泛政治」的標籤,而台灣人對談政治有本能的抵抗,或許也源於家庭歷史經驗或是社會造成的創傷。
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